设计工作室是你在澳门足球博彩在线教育经历的核心. 这是一个创意空间和一个社区的缩影，我们从这里连接到更大的社区. We believe education takes place in the 工作室 and the classroom and that the work in the 工作室 benefits the student’s growth through an exchange of ideas, 技能, 和愿望. 工作ing with your peers in the 工作室 deepens knowledge of the opportunities inherent in form-使 and design exploration.
创客空间和实验室
可持续发展和对材料的探索驱动着我们对制作的热情. We are hands-on and immersive; using our many production labs, 任何学习传播设计的学生都能发现, 在不同的媒体上重复和完善他们的调查. 了解更多
We develop disciplinary fluency in our program of study and we celebrate the interdisciplinary nature of design critical to address the plurality and complexity of the environments in which we operate. 了解资源.
我们的教师
澳门足球博彩在线’s distinguished faculty of outstanding creative professionals and scholars share a common desire to fully develop each student’s individual potential and creativity. The faculty come from diverse educational and professional backgrounds representing the breadth of 时装设计’s complexity. This multiplicity of views and experiences provide for a tailored graduate education that is as unique as each of the students. 查看所有通信设计 教师和管理人员.
🎉我们本科通信设计系列讲座的第二位演讲者是Matthew Forsythe. 出生于加拿大，在伦敦长大, Matthew Forsythe was the lead designer on Cartoon Network’s Adventure Time 🗡 and has done work on Netflix's The Midnight Gospel. His first picture book Pokkoo and the Drum was Publisher’s Weekly and NPR Book of the Year and won a Boston Globe Horn Book Honor and Charlotte Zolotow Honor. 他的插图已经抓住了这么多人的想象力，他继续激励. 如果可以，请加入我们，这个活动是对公众开放的.
活动将于本周五3月3日在纪念堂举行，下午5:30开门，下午6:00开始
可爱的海报由@doodledana完成
🎉我们已经沉默了一段时间，但我们有一些消息!!!! The first speaker of the 本科通信设计 Lecture Series will be Bráulio Amado on Thursday February 16th at Memorial Hall doors at 5:30pm. If you are unfamiliar with his 技能 take a moment and see the covers he has done for artist like Robyn or Frank Ocean. Bráulio Amado是一名来自葡萄牙的平面设计师和插画家，目前居住在纽约. 他曾在五角大楼、商业周刊和威登肯尼迪工作. 他现在经营着自己的工作室BAD STUDIOS .
本次活动将于2月16日星期四在纪念堂举行，下午5:30开门.
视频由@lzs制作.工作室
谢谢老师@cairolexicon & @sthurer和他们的学生委员会一起组织了这次活动. 💪
请加入我们欢迎源类型, 由本·施瓦茨和劳伦兹·布鲁纳代表, 是我们今年UG COMD系列讲座的第三位嘉宾! 12月8日星期四在纪念堂. 下午5:30开门，下午6:00讲座开始.
Source 类型是一个排版研究和视觉素养的平台. 该网站, 今年早些时候推出, 一直是编辑内容的持续出口吗, 字体, 索引条目以紧迫的文化问题和奇怪的迷恋为基础. Amidst continued online output the team looks forward to exploring offline collaborations as well as investigating the role of visual culture in critical issues we face today.
海报由@lyn设计.stupidgraphics
新兴实践:可视化权力
M(下午3时至7时20分. 李
本课程研究不同学科的先例, 从建筑, 新闻, 平面设计, 激进主义, 社会科学, 以及非正式的, “非学科”实践，以探索可视化权力的实践. We will adopt an investigative gaze towards financial/technological power as it is located and manifested in New York City—particularly around topics that have evaded visibility, 或者他们的知名度被低估了. Students’ findings will be directed towards those that have been designated as the “subaltern”—the colonized and the oppressed. 本课程的工作室部分强调研究设计. The primary framework of critical reflection on student work is not the achievement of an established standard or best practices (these do not exist), 而是学生研究工具的连贯一致(他们的目光), 他们收集的标记和他们的翻译到一个预期的, 次等的观众, 被全班的集体智慧审视.
换句话说, 通过当地的实地工作, 参考书目和基于工作室的研究, 以及需要阅读的工作室-研讨会形式, 讨论, 以及创造性的回应, 学生将探索研究设计过程，寻求, 排序, analyze and prepare for transmission (when/where/whom) their findings on a topic of their choice which is related to financial/technological power in New York City. The course will be structured into a series of units marked by discrete exercises exploring research design aimed at what the anthropologist Laura Nader calls “studying up.随着各种练习和探索的输出, 每个学生还将提出并承担一个长期的研究项目，并在此基础上进行展示.
COMD 460 - 01新兴实践:屏幕疲劳
F(上午9时至下午1时20分. 贝尓瑟
For all of the doom scrolling and descents down Wikipedia rabbit holes that characterize our experience of the world today—in the amorphous, 不断变化, but always overlapping territory bridging “real life” with digital existence—it’s striking how much design discourse remains stubbornly, 短视地坚持价值无缝, 非常高效。, 直观的体验.
COMD-460新兴实践:屏幕疲劳探索感知极限下的用户体验. 该工作室致力于放大数字创意实践和当代在线体验中的“慢”.
The 工作室 uses interaction design as a site of exploration to propose a series of critical and speculative projects that deal with time, 等待, 期待, 和期望:这些将包括网站, 应用程序, 社交媒体平台需要时间, 浪费时间, 腾出时间, 休息时间. HTML和P5中的技术练习将包括加载动画, 屏保, 缓冲状态, 待机屏幕. (无须有编码经验).
工作室的目标是批判性地分析屏幕时间:我们一秒钟能延伸多长时间? 我们能崩溃的一天有多短?
新兴实践:祖先知识
(上午9时至下午1时20分. 阿卜杜拉
Modeled on frameworks of pluralism this class will prompt inquiry around ancestral knowledges as interconnected forms of being and 使. 我们将作为学习和实践的复杂场所来审视我们与祖先叙述的个人关系. The course will make space for discussion of histories and investigate the tensions and implications of form-giving within these contexts. 我们如何与自己和他人联系? Inquiries will prompt us to deepen our relationships to personal knowledge 系统 as potential sites for visual language and as potential 方法 for learning. 查询可以表现为履行, object, 仪式, collection; these will be dependent on the explorations undertaken. 班级聚会将结合客座讲座, 研讨会, 使, 交流与实践我们共同发展. This course will be framed by decolonial pedagogies: foregrounding time for reflection and restoration; inviting collective contribution towards class goals, assignments and assessment; and nurturing generosity and reciprocity.
The Communications Design curriculum embraces the multifaceted and interdisciplinary nature of communication design practice. Our courses and projects promote the rich exchange embodied in a 工作室 culture that values the development of individual perspectives, 批判, 视觉读写能力, 媒体流畅, 从实践经验中学习, 以及创新的正式成果.
高级工作室课程促使学生参与越来越复杂的项目，这些项目引入了基于时间的媒体, 视觉系统, 品牌, 和安装. 从第三年开始, students develop an individual focus or set of interests inside the larger discipline through courses in their chosen area of emphasis: 平面设计 or illustration. 系内和整个研究所的选修课都扩展了核心课程, 让学生探索整个视觉艺术的思考和制作方式.
插图的重点
Students who select the Illustration Emphasis take a series of upper-level 工作室 courses that explore topics particularly relevant to image-based communication, 比如高级讲故事, 社会政治评论, 和作者. 与插图相关的高级课程强调鼓励对多种技术进行实验, 平台, 和技术. 选修课提供了探索当代插图实践的广泛范围的机会, 包括图画小说, 动画和三维建模, 独立出版, 产品设计和人物设计
